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The Sellout
Cover of The Sellout
The Sellout
A Novel
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Winner of the Man Booker PrizeWinner of the National Book Critics Circle Award in FictionWinner of the John Dos Passos Prize for LiteratureNew York Times BestsellerLos Angeles Times Bestseller Named...
Winner of the Man Booker PrizeWinner of the National Book Critics Circle Award in FictionWinner of the John Dos Passos Prize for LiteratureNew York Times BestsellerLos Angeles Times Bestseller Named...
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  • Winner of the Man Booker Prize

    Winner of the National Book Critics Circle Award in Fiction

    Winner of the John Dos Passos Prize for Literature

    New York Times Bestseller

    Los Angeles Times Bestseller

    Named One of the 10 Best Books of the Year by The New York Times Book Review

    Named a Best Book of the Year by Newsweek, The Denver Post, BuzzFeed, Kirkus Reviews, and Publishers Weekly

    Named a "Must-Read" by Flavorwire and New York Magazine's "Vulture" Blog

    A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality—the black Chinese restaurant.

    Born in the "agrarian ghetto" of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral.

    Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

 

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About the Author-

  • Paul Beatty is the author of the novels, Tuff, Slumberland and The White Boy Shuffle, and the poetry collections Big Bank Take Little Bank and Joker, Joker, Deuce. He was the editor of Hokum: An Anthology of African-American Humor. In 2016, he became the first American to win the Man Booker Prize for his novel The Sellout. In 2017, he was the winner the American Academy of Arts and Letters Literature Award. He lives in New York City.

Reviews-

  • Publisher's Weekly

    Starred review from November 24, 2014
    Beatty’s satirical latest (after Slumberland) is a droll, biting look at racism in modern America. At the novel’s opening, its narrator, a black farmer whose last name is Me, has been hauled before the Supreme Court for keeping a slave and reinstituting racial segregation in Dickens, an inner-city neighborhood in Los Angeles inexplicably zoned for agrarian use. When Dickens is erased from the map by gentrification, Me hatches a modest proposal to bring it back by segregating the local school. While his logic may be skewed, there is a perverse method in his madness; he is aided by Hominy, a former child star from The Little Rascals, who insists that Me take him as his slave. Beatty gleefully catalogues offensive racial stereotypes but also reaches further, questioning what exactly constitutes black identity in America. Wildly funny but deadly serious, Beatty’s caper is populated by outrageous caricatures, and its damning social critique carries the day.

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    Farrar, Straus and Giroux
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